Papastergiadis article posited a restructalisation and rethinking on the posistion that imagery holds in a communitive world. He states that the warrior acts as an artist and in a transversal society the artist must become a warrior, this affirms what Raunig sees as the binary relationship of sedentary power and "schizophrenic lines of flight". The "porcelain factory' as Negri terms it relies on the latent but convoluted combination of imagery and thought, a metaphorical juncture in society thats crossroads are continuos yet respondent to the present social, and politicical issues.
'As for the line of flight, would it not be
entirely personal, the way in which an individual escapes on his or her own account, escapes
“responsibilities,” escapes the world, takes refuge in the desert, or else in art…? False impression.’
(Deleuze and Guattari 1988: 225)
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