Kwon argues there are three ways public art has been approached – as art in public places, art as public spaces, and art in the public interest.
Henry Moore’s work is from the former category as his works don’t draw influence from, or reflect the surroundings in which they are placed but rather can stand as sculptures on their own in any environment. He states ‘To display sculpture to its best advantage outdoors, it must be set so that it relates to the sky rather than to trees, a house, people or other aspects of its surroundings’
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